It has the betrayals, zombie hordes, and difficult choices we’ve come to expect, but A.J. The overall narrative keeps you on your toes, and its exploration of Clementine and A.J.’s relationship is well done. However, your lessons shape the person A.J. In a harsh kill-or-be-killed landscape, instilling a sense of right and wrong in a child is difficult. hasn’t known a world other than a zombie apocalypse. This final season puts Clementine in a similar position, as she looks after a child named A.J., who we first met in season two.
Part of this was thanks to her preparation from Lee, the main character of the first season, who did everything in his power to protect her. We’ve watched Clementine grow from a naive girl into a resourceful and hardened warrior. This finale is a fitting tribute to Clementine and her journey, but it also is inconsistent in quality and suffers from some narrative missteps that are impossible to ignore. Skybound Games came to the rescue, hiring on previous Telltale employees to finish the story as it was originally planned. The feeling is compounded when you’re experiencing the last product by the studio that created her The Walking Dead put Telltale Games on the map with its focus on emotional storytelling and player choice, but it all came all crashing down in 2018 when the developer shuttered before completing the fourth season. Obviously, GStreamer doesn't support CUE by itself in any way (in decodebin or playbin), so you must have been doing some very potent pipeline magic to achieve the effect.Goodbyes are never easy, especially when you’ve spent the last seven years invested in a character. My guess: something is wrong with the way you handle GStreamer pipeline when playing CUE-cut files. The track that ended is the last track of the CUE-cut file.Next track is from the same CUE-cut file.This doesn't happen if either of the following is true:
Clementine doesn't seem to do I/O, but that probably means that the CUE-cut file is buffered completely in the memory. After a few minutes (that would have been just enough to play through the rest of the CUE-cut file, i've checked with a timer) it DOES start playing the track that was supposed to be playing after all. Whenever a track from a CUE-cut file is ending, and Clementine has (due to random shuffling or due to the fact that there's some other track, not from the same CUE sheet, after the track that is ending) to start playing a track that is not from the same CUE file, Clementing plays first few seconds of audio that was coming AFTER the track that ended (the beginning of the next track in the CUE-cut file, that was not supposed to be played next), jumps to the next track (not from the same CUE file), and stops playing anything (it's possible to nudge it into action though, so it's not a freeze). OK, after toying a bit with CUE sheets, i've found a problem: Not requiring any modifications to the original file is an advantage, as the original file might be in a format that does not allow easy metadata insertion (because the format is not metadata-friendly, or because Clementine doesn't support saving metadata for files in that format, while still being able to play them). I haven't found any other way to split long tracks logically (without physically splitting the file), so CUE sheets would do nicely for this generic purpose, without changing the original file. The reason why i need this is that i have longer-than-1-hour tracks that i'd like to split. For reading only (Clementine can't write CUE sheets yet, but when it would, i guess it shouldn't write in non-compliant format). CUE timestamp format is not hours:minutes:seconds, but minutes:seconds:frames (75 frames per seconds)īecause regex used for timestamps is "(\d)".Use indices 01 to denote start time (end time is inferred automatically, AFAIU INDEX 00 has special meaning).Here's something for documentation, CUE sheet should look like this:
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